Coindrop is a lesser-known washing machine, but I find it important to highlight because it can be seen as a “baby” version of the washing machine called Biglemoi and London spin.
Biglemoi and Coindrop: The two are very similar, but since Coindrop uses whale pose instead of throne, the flyer starts out in a horizontal, lying position before the transition, which makes the move much easier to perform (for the flyer)
If you’re having trouble with the Biglemoi sequence, try this one first!

London Spin and CoinDrop
The CoinDrop can be considered a more accessible variation of the London Spin. During the rotation, the base continues to support the flyer’s legs in Whale, providing a relatively stable point of support throughout the movement.
In the London Spin, the flyer receives no such support from the base and holds only onto the base’s legs while rotating. The placement of the base’s feet is also different: rather than supporting the flyer beneath the shoulder blades, the feet are positioned closer to the center of the flyer’s body.
Both AcroYoga washing machines are well worth exploring and comparing to understand how these small changes in support completely transform the movement. But for now, let’s start with the more accessible one: the CoinDrop.

 

This sequence explores a smooth, continuous flow between three classic acro poses.
We start in bird, then guide the flyer into reverse inside star, and from there into whale.
We keep the motion going forward: from whale, the flyer continues turning in the same direction to return to inside star.

In this video, the washing machine stops after one full rotation, finishing in Bird.

After one full rotation, Bird is skipped, and the second round begins directly with a Side Star switch.

Used Poses

Used Transitions

This washing machine starts and ends in bird.
You can also try a variation where you don’t pause in bird after side star, but instead immediately roll through to the other side star—a kind of reverse inside star tic toc—and continue the cycle from there.
This adds flow and dynamic movement to the sequence, and it’s a great way to build control and rhythm.

Used transitions II

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